Lucy Popescu

Reviews

The Good Tourist reminds us that it’s the responsibility of all travellers to be aware of how our fellow human beings are treated – at home or abroad. And, as Lucy Popescu makes clear, if they’re treated badly we shouldn’t keep quiet about it. Her timely and realistic conclusion is that if you want to see the world as it really is then leave the rose-tinted spectacles at home.

MICHAEL PALIN

The Good Tourist is a fascinating, timely and important book, you will never travel in the same way again.

WILLIAM BOYD

http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/books/article5250961.ece

http://www.independent.co.uk/arts-entertainment/books/reviews/the-good-tourist-by-lucy-popescu-1027366.html

http://www.independent.co.uk/travel/news-and-advice/tips-and-deals-1002749.html

http://jonathanfryer.wordpress.com/2008/10/10/the-good-tourist/

http://www.bbc.co.uk/radio4/excessbaggage/index_20081101.shtml

In The Good Tourist: An Ethical Traveller’s Guide, the author Lucy Popescu gives a useful overview of the arguments for and against a travel boycott of Myanmar. She counsels readers to research the country before they go and recommends The River of Lost Footsteps: Histories of Burma by Thant Myint-U for its insight into the country’s past and present. On the subject of giving local people access to the outside world, Popescu advises caution, saying that local people may be “endangered” if they are seen speaking with tourists. It’s a view shared by Responsibletravel.com

The Myanmar Debate: The National    http://www.thenational.ae/article/20090131/TRAVEL/794224330/1015

Another Sky/Writers Under Siege edited by Lucy Popescu and Carole Seymour-Jones

PEN acts as the voice and conscience of everyone who cares about literature. In telling their stories, the incredible writers in this collection uncover some of the world as darker corners. This extraordinary book shows us once again why literature matters. Antonia Fraser

I defy readers not to be profoundly moved by this splendid anthology. But I have no doubt they will also be stirred by the extraordinary courage of all these writers to triumph over injustice and cruelty. This book is an inspiration. Ronald Harwood

Engrossing. Reza Baraheni’s piece is simply electric and others, such as Ken Saro-Wiwa’s letters, deeply moving. More than anything the collection stands as a testament of courage and a clarion call to recognize free expression for what it really is — a basic human right. Monica Ali

This anthology is essential reading for anyone who has ever been moved by the written word. The authors of these pieces have one thing in common. They have all been coerced into not writing. This means that not only do they have powerful stories to tell, but that when, thanks very often to the work of organisations like PEN, they are eventually allowed to tell them, the result is spare, powerful writing, which jolts and challenges our prejudices and assumptions. Michael Palin

From Publishers Weekly: To mark 85 years of work assuring that oppressed writers are heard in their home countries and around the world, the literary and human rights organization PEN presents a collection of essays from some 50 writers; their one common trait, as noted by Michael Palin in a blurb, is that “they have all been coerced into not writing.” Designed to demonstrate the major ways in which writers are silenced, shocking and sobering lessons in author suppression are broken up into sections on prison, death and exile, though the distinction seems arbitrary; the central theme of oppression weighs much more heavily on writers’ stories than the specific methods employed. It’s important, both thematically and practically, to note that PEN does not differentiate between the talents and skills of persecuted writers; as such, not every piece succeeds, and the similarity of the subject matter can make them difficult to distinguish. But grace notes abound, such as Zimbabwean poet, novelist and columnist Chenjerai Hove explaining, “every new word and metaphor I create is a little muscle in the act of pushing the dictatorship away.” As an act of commemoration, as well as a sobering reminder of a world in which writers are frequently-and all too easily-silenced, this is an exceptional anthology.

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. –This text refers to the Hardcover edition.

http://www.nyupress.org/books/Writers_Under_Siege-products_id-5212.html

http://www.bookforum.com/inprint/014_03/864

http://reviews.media-culture.org.au/modules.php?name=News&file=article&sid=2399

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